题目

“阿拉木汗什么样?身段不肥也不瘦,她的眉毛像弯月,她的腰身像绵柳,她对小嘴很多情,眼晴能使人发抖。阿拉木汗住在哪里?吐鲁番西三百六。”这是一首经过王洛宾改编后广为流传的双人舞歌曲。

由歌词内容判断,阿拉木汗是()

A.藏族姑娘

B.回族姑娘

C.维吾尔族姑娘

D.蒙古族姑娘

相关标签: 双人舞  

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In 1915 Einstein made a trip to G ttingen to give some lectures at the invitation of the mathematical physicist David Hilbert. He was particularly eager—too eager, it would turn (62)—to explain all the intricacies of relativity to him. The visit was a triumph, and he said to a friend excitedly, “I was able to (63) Hilbert of the general theory of relativity. ”

(64) all of Einstein’s personal turmoil(焦躁)at the time, a new scientific anxiety was about to (65). He was struggling to find the right equations that would (66) his new concept of gravity, (67) that would define how objects move (68) space and how space is curved by objects. By the end of the summer, he (69) the mathematical approach he had been (70) for almost three years was flawed. And now there was a (71) pressure. Einstein discovered to his (72) that Hilbert had taken what he had learned from Einstein’s lectures and was racing to come up (73) the correct equations first.

It was an enormously complex task. Although Einstein was the better physicist, Hilbert was the better mathematician. So in October 1915 Einstein (74) himself into a month-long frantic endeavor in (75) he returned to an earlier mathematical strategy and wrestled with equations, proofs, corrections and updates that he (76) to give as lectures to Berlin’s Prussian Academy of Sciences on four (77) Thursdays.

His first lecture was delivered on Nov. 4. 1915, and it explained his new approach, (78) he admitted he did not yet have the precise mathematical formulation of it. Einstein also took time off from (79) revising his equations to engage in an awkward fandango (方丹戈双人舞)with his competitor Hilbert. Worried (80) being scooped(抢先),he sent Hilbert a copy of his Nov. 4 lecture. “I am (81) to know whether you will take kindly to this new solution, ”Einstein noted with a touch of defensiveness.

62. A) up B) over C) out D) off

63. A) convince B) counsel C) persuade D) preach

64. A)Above B)Around C)Amid D)Along

65. A) emit B) emerge C) submit D) submerge

66. A) imitate B) ignite C) describe D) ascribe

67. A) ones B) those C) all D) none

68. A) into B) beyond C) among D) through

69. A) resolved B) realized C) accepted D) assured

70. A) pursuing B) protecting C) contesting D) contending

71. A) complex B) compatible C) comparative D) competitive

所谓古典芭蕾舞剧中的“双人舞”模式,指的是按照ABA三段体的模式创作和表演的男女双人舞。()


A、正确B、错误

双人舞《飞天》舞蹈体现了敦煌特有的“s”形曲线运动规律,把静止的姿势和与其风格统一的动作结合起来,特别是“反弹琵琶伎乐天”的造型让观众耳目一新。

1、正确2、错误
《雀之灵》是我国白族舞蹈家杨丽萍创作的___________。()
A.独舞B.双人舞C.三人舞D.群舞

“阿拉木汗什么样?身段不肥也不瘦,她的眉毛像弯月,她的腰身像绵柳,她对小嘴很多情,眼晴能使人发抖。阿拉木汗住在哪里?吐鲁番西三百六。”这是一首经过王洛宾改编后广为流传的双人舞歌曲。

由歌词内容判断,阿拉木汗是()

A.藏族姑娘

B.回族姑娘

C.维吾尔族姑娘

D.蒙古族姑娘

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